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Jungle of the Jordan Approaching Storm in the Sunlit Conejos Valley The Umbrella "Atlas of the Twilight Hour"
The Whitening Pond Mesas and Rain (Antonito) Toward the Sangre De Cristos Rio Grande (San Luis Valley)

Blog

Today in Loose Park

16" x 20"
16" x 20"
Someone asked about the technique I used outdoors today (Saturday May 9th) on this painting. I tried something a bit different today and I figured it would be nice to post it, as long as I can say on the front end, take everything with a grain of salt. As my friend and mentor, T. Allen Lawson, has said: "Every Painting is a Crapsshoot."

 

This is cool to me how this painting developed. Usually, I paint two painting a day when I am able to paint outside--and I try to do that at least once per week. I do it in two shifts due to the rapidly changing light. So, in all great leaps forward for an artist, (or me at least) a horrendously fortuitous accident has happened. First know that this painting could still be improved in the studio, I see problems peppered all over, however I have learned to be more wise about this and tackle one problem at a time or else the problems all together become difficult to manage. With that caveat out of the way, here's what happened on Tuesday, (May 5th):

I started as usual with my first painting and got well enough along with it. It was a mostly sunny day and 3/4 of the way through, the sky became dark and overcast. Well, that's what happens. All artists know that this spells the end of the painting without doing a full scrape down. So when I got home, it dawned on me that if I scraped down the painting and fiddled with the structure and design in my studio, maybe I could take this back out. I was frustrated that I tried so large an outdoor painting, (this is 16x20).

So, today, I went out with a painting with the structure, design and composition, and color scheme already planned and in place. The sun was erratic today, but still a lot better than Tuesday. Next, I chose not to stick with a two-hour time limit as I normally do, instead I painted for about four hours on this one painting. Yes, the light had moved, but then I took a leap of faith outdoors, I began painting from memory what I knew would make the painting stronger, and kept borrowing parts of the "current-light-condition" to augment different parts of the whole. This means that the painting is showcasing various light conditions: 10a.m. here, 12:30p.m. there, 2:00pm over there; this is not followed slavishly, but if what the light presents feeds my concept better than another light-moment, then I'll go with it. 

I really enjoyed this and believe it is worth pursuing.

Artfully Yours!
Jeff
 

1 Response to Today in Loose Park

Mortimer Stone
via web
You know, it's the foliage (how do I say it) "droppings" that really add a sense of realism to this. By chipping in the variety of colors already in the painting this technique really does great with giving us an illusion of rough foliage.









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