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Notes to self . . . Letters From a Master (Letter 6)


Dear Jeffery,

 

To your question about defining success for the artist, I think success comes only from failure—and a lot of it. So to ask “what is success” does not benefit one nearly so much as asking, “what is failure?” If you study the concept of failure—the appropriate way failure is to be understood—then you are free to pursue success. Study success (and forego a good analysis of failure) and you will fight discouragement all the way. It would seem, then, that learning to accept what we call failure, (that is, failure properly understood), would give to an artist the best hope for success. This I have believed for the entirety of my career.

 

But what is it we often call Failure? I don't use the term failure, I always say "fall short" because our culture today misapprehends the true meaning of failure. So let me try to clear this up. What Failure is NOT are the typical things we all endure that challenge us, put us to the test, and they are almost always event-focused or time-focused situations where we have fought a good fight, and perhaps are fighting still, but are not failures even though they are commonly called this. These include:

 

-A weakness or handicap of some sort is not failure.

-A lack of skill is not failure.

-A setback is not a failure.

-An improper upbringing is not failure.

-Finding your true vision for your life when you are older is not failure.

-An earnest effort that falls short, this is not failure.

-That people initially do not believe in what you are doing, this is not a failure on your part.

-Mistakes are not failures.

-Etc. and etc., on the list can go and it can be a list made from every part of your life.

 

For me, failure exists (it does in fact exist) but to me it stems from negative choices, such as:

-Laziness. (Not doing what you know is required).

-Irresponsibility. (Choosing pleasure over edification ).

-Lack of Belief. (No one can believe for you, this is up to you).

-Cruelty. (I’ve not met a more failed individual than one who is outwardly cruel to others).

-Deception. (This is a form of “brutality”).

-Etc., you get the idea. True failure is a choice some make to live unethically.

 

If you are not doing that, you are not failing.

 

So then, what about success?

 

I think we talk about it too much. I'm a simple man and this is really I know about success:

-Work hard,

-work your intellect,

-keep improving your skill,

-keep after your goals daily, like in pursuit, or on a hunt,

-study your mistakes to learn where you need to make adjustments

-expect to "fall short" in your pursuit much of the time; this is called falling forward.

 

Last, and I set these last two thoughts apart from the rest because when it comes to painting, they are all I know about success:

-focus on your strengths and the weaknesses will take care of themselves.

-paint outdoors as much as you possibly can.

 

We never reach our full knowledge and are always learning. So when you focus on your strengths, you will always find something new that must be learned along the way, and your whole body of knowledge and skill inch forward. Your strengths will always guide you, learn to trust them and what they tell you. 

 

Have a Happy New Year,

[Master Artist]

 

 

3 Responses to Notes to self . . . Letters From a Master (Letter 6)

German Luis Fernando III
via jefferysparks.com
Dear Jeff,

I am rebuked! Thank you for pointing out my failure-choosing to be lazy many times and The Giver of talents is displeased with my poor stewardship. I better do something about it soon.



Jolyn Wells-Moran
via jefferysparks.com
Well said. I almost believe that when I've been whining about my "failure" -- although I think at the time that it's a constructive way to become miserable enough to do something about my shortcomings -- that it's likely also a way to escape art and all the work it takes to continue towards doing it well. In the end, I decide to continue learning, but what a waste of time to have spent that time moaning, whining and making myself miserable. Besides, having one foot out the door does not make for positive motivation and learning momentum. I've actually given up that poor strategy this past year and can really see the difference in my work. I've found that just giving in to the love of painting with a strong commitment makes me a far happier painter and person too.

Jeffery Sparks
via jefferysparks.com
Jolyn,

I see that when I took the notes while speaking with this artist, I missed something. Your note helped me finally understand it, thank you!!!

It is said that "people don't change until the PAIN of change is worse than the PAIN of staying the same." I really see that wisdom in your comment and commend you greatly. It is also said, by another artist I highly respect, "Don't paint with the goal of bringing home (or creating) a really good painting. My goodness, why would I want to put that much stress on myself?" So your final sentence reminded me of that and I should be interviewing you! :-)

Thank you for your wonderful post!

Jeff









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